16 877 безкоштовних аудіофайлів для "Midi Files Of Musical Intervals"

Adagio (2nd movement) from Beethoven's Piano Sonata Op. 22, bars 31–33

8-tone equal tempered scale, composed of three-quarter tones. MIDI pitch bend matches intervals.

Vergleich der Adagios von Haydn op. 64/Nr. 5 und Beethoven op. 2/1

4-29ZA (all-interval) tetrachord on C

4-15ZB (all-interval) tetrachord on C

4-29ZB (all-interval) tetrachord on C

4-15ZA (all-interval) tetrachord on C

Ausschnitte aus der Klaviersonate Nr. 3 f-Moll. op. 5, von Johannes Brahms

Periodizität in Joseph Haydn Klaviersonate Hob. XVI/1

C-F-B Synthetic chord

Tonic and dominant in C. C major and G major chords.

Aeolian scale of C

Simplest type of metric modulation in Bach. Slow introduction followed by Allegro, traditionally taken twice as fast. Eighth notes in the new tempo prepared by sixteenth notes in the old tempo ( = ).

An OGG file that plays a C chromatic scale

Modulation von Heinrich Schütz aus SWV 379

Canción popular (Dominio publico): Romanza española. Interpretada por la Maestra Alisa Gladyseva.Popular song (public domain): Spanish Romance. Performed by the Master Alisa Gladyseva.

C Phrygian dominant scale. Created by Hyacinth (talk) 00:37, 5 July 2010 using Sibelius 5.

This is a whole tone scale beginning on middle-C, created by me using Lilypond and TiMidity.

Regular diatonic tuning 72-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS. In 12-tone, T=200 cents and S=100 cents. In 72-tone, T=233.3 cents and S=16.6. This is that scale: C = 0 D = 233.3 E# = 466.6 F# = 483.3 G = 716.6 A = 950 B# = 1183.3 C = 1200

Regular diatonic tuning 53-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

Regular diatonic tuning 31-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

5:7:9 is the first inversion of the major triad. Title refers to harmonics (fundamental=1:3:9:etc.).

5-tet scale on C. Pitch bend matches intervals.

*Schismatic temperament perfect fourth on C. 10/11/8 = 498.29 cents.

*4913rd harmonic on C = C♯. Just: 4913/4096 = 314.87 cents. Limit: 17-limit. MIDI pitch bend: 96,68

*Major tone on C = D. 9:8 = 203.91 cents. Limit: 3-limit. MIDI pitch bend: 32,65

*Just perfect fifth on C = G. 3:2 = 701.96 cents. Limit: 3-limit. MIDI pitch bend: 80,64 MIDI file.

*3375th harmonic on C = G+. Just: 3375/2048 = 864.81 cents. Limit: 5-limit. MIDI pitch bend: 94,52

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

Augmented major seventh chord on C

Claude Debussy String Quartet (1893) second movement opening.

Use of the pentatonic scale in Debussy's Voiles (1910), Prelude. 2, mm.43-45.

MIDI file created with GNU EasyABC of 'Make a Joyful Noise' 1900's by Herbert Hadwen Chandler (1865-1941)

20-tet scale on C. MIDI pitch bend matches intervals.

18-tet scale on C. MIDI pitch bend matches intervals.

22-tet scale on C (54.55 cent steps). MIDI pitch bend matches intervals.

41-tet scale on C (29.27 cent steps). MIDI pitch bend matches intervals.

34-tet scale on C (35.29 cent steps). MIDI pitch bend matches intervals.

31-tet scale on C (38.71 cent steps). MIDI pitch bend matches intervals.

72-tet scale on C (16.67 cent steps). MIDI pitch bend matches intervals.

*29791th harmonic on C = G+. Just: 29791/16384 = 1035.11 cents. Limit: 31-limit. MIDI pitch bend: 29,107 on M6

Sequential modulation in Schubert, Piano Sonata in E Major, D. 459, movement III.

Common-tone modulation between C minor and its relative major Eb, using the common-tone G, in Schubert's Op. 163 (D. 956).

Schubert - op. 29, D.804, I, mm.144-49. Enharmonic modulation using a common viio7, enharmonic in two keys.

Bridge chord, named after en:Frank Bridge. Major chord with a minor chord a semitone above. Chord pictured followed by arpeggio with Db minor at the octave.

Audio con las notas musicales en piano C-D-E (Do, Re, Mi)

Nederlands: demo kwarttonenquartertones